Regarding the Historie & Vertues of the Illustrious Parsnip Root, Including Its Association with Lent, the Hungry Gap & the Poet Boris Pasternak

Regarding the Historie & Vertues of the Illustrious Parsnip Root, Including Its Association with Lent, the Hungry Gap & the Poet Boris Pasternak.

Wonderful piece – lovely inclusion of a poem by Pasternak.

 

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Larvae as Jewellers

Ornament from expensive gems and stones is fitting for jewellery? or do the jewels highlight the work of the larvae? Would the piece still be as special if it was made with found materials in the natural environment of the larvae?
Just a thought.

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‘Natural beauty’ is an elusive but much claimed concept. Claimed by tourism boards of the native landscape and makeup commercials about the latest product, it is seldom the case that beauty and nature are entirely in sync. Any yet in these images, we see it presented with startling intensity.

The contemporary French artist Hubert Duprat was aware that larvae built protective cases around themselves using materials from their natural environment. His curiosity about the potentialities of that lead him deprive the larvae of all resources except for gems, jewels, pearls and gold. The resultant images show that the insects not only adapted to these materials but created incredibly beautiful trinkets.

The insects can…

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Whitegate, East Cork in the sunshine

When the sun comes out I either want to be outside or take photos. Every colour seems more vibrant, clean and beautiful. These photos are of the old pier at Whitegate along the public walkway. The tide was way out so Riley dog and I climbed down the seaweedy steps onto the shoreline looking for treasures. What constitutes a treasure is a personal thing. To me it’s a beautiful colour be it on a rock, a shell or a piece of glass. To Riley dog, it’s seaweed – that simple. We usually get some good pieces of glass here and always the inky mussel shells I love. Below are some photos.

whitegatepier4 whitegatepier3 Whitgatepier2 whitegatepier2 whitegatepier1

Why do we have Easter Bunnies?

http://en.wikipedia.org/wiki/Easter_Bunny

The hare was a popular motif in medieval church art. In ancient times it was widely believed (as by Pliny, Plutarch, Philostratus and Aelian) that the hare was a hermaphrodite.[3][4][5] The idea that a hare could reproduce without loss of virginity led to an association with the Virgin Mary, with hares sometimes occurring in illuminated manuscripts and Northern European paintings of the Virgin and Christ Child. It may also have been associated with the Holy Trinity, as in the three hares motif,[3][6] representing the “One in Three and Three in One” of which the triangle or three interlocking shapes such as rings are common symbols. In England, this motif usually appears in a prominent place in the church, such as the central rib of the chancel roof, or on a central rib of the nave. This suggests that the symbol held significance to the church, and casts doubt on the theory that they may have been masons’ or carpenters’ signature marks.[7]

Marshmallow bunnies and candy eggs in an Easter basket

Eggs, like rabbits and hares, are fertility symbols of antiquity. Since birds lay eggs and rabbits and hares give birth to large litters in the early spring, these became symbols of the rising fertility of the earth at the March Equinox